Macbeth–Act IV

witches

 

So, rather than fix his problems by, oh, not killing more people, Macbeth goes to the witches for more knowledge about the future. They conjure three apparitions for him:

  1. A disembodied head with a helmet–Look out, MacDuff is going for you, bro.
  2. A child covered in blood (symbol of all the innocent people he’s killed?)–Don’t worry, no man that was born of a woman is going to hurt you. You’d think that’d be comforting.
  3. Child, not bloody, crowned–When this entire forest is raised, that’s when you’ll be defeated.

By all means, it seems like Macbeth is going to be okay, all in all. But then why is the next apparition show eight kings from Banquo’s line? Well, I know the outcome, but it hasn’t been revealed just yet.

still20_standard

 

I realized today why Macbeth begins to come down this path–he’s following that which is unnatural. He’s led by the witches and his wife (who has a propensity for things unnatural, like wanting to be more manly and over-ruling her husband) in this entire affair–which is displacing the natural line of kings. I was saying that the witches were supernatural before, but I’m going to take it back, because they aren’t above the natural order of things, but they use the base and disgusting parts of nature to contort nature herself. They’re unnatural. There isn’t really a supernatural thing in the whole play.

Also, Macbeth, I think you made a really bad move killing Macduff’s wife and kids. All you’re going to do there is spurn a load of revenge. And let’s not forget your inability to kill Fleance, who watched his father get murdered.

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Macbeth–Act II

MACBETH

 

“I have done the deed” (II.ii.14). Woo, intense is the act that ends with a body count of three.

Macbeth’s monologue in the first act interests me, insofar as it deals with trusting in the sense of sight. “or art thou but/A dagger of the mid, a false creation”(II.i.38-39) and then, “Mine eyes are made the fools o’ th’ other senses,/Or else worth all the rest” I see thee still”(II.i.44-45). Which contrasts with the next scene, “Didst thou not hear the noise?”(II.ii.14). And Macbeth hears two prayers, a blessing from God on his deed and a mere, “Amen.” Amen, the word means “it is so” or it is a simple “yes.” Smells like the deed is done…

Musings on the trustworthiness of the senses. I find in tragedies, I don’t know what or who to trust. And that may be the point.

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Now, for the last scene, Rosse’s conversation with the old man–addressed as “Father,” so I am assuming he’s a priest, because I like to assume things–regarding the internal nature of man’s actions correlating with the outer nature of the heavens. I made a point of this in The Tempest, that storms in Shakespeare plays have a tendency to be symbolic of workings of the character’s soul or the state of souls in the commonweal. (I may not have actually said this, but I think I meant to if I didn’t.) If the heavens are representing an individual, who? Macbeth? Duncan? Banquo? Lady Macbeth? Or is it representing what is about to happen to the entire foundation of the Scottish Monarchy? Take your pick, send me a message.

 

Macbeth–Act I

Macbeth2

 

I’ve read Macbeth before, when I was a Junior in High School. This is what I remember:

  1. “Out, out, damn spot” and a lot of guilt.
  2. Someone was born a really crazy way, and it fulfills a prophecy.
  3. There are witches and they speak in rhyme.

Now that I’ve made one of many obligatory lists, let’s begin.

“Fair is foul, and foul is fair” (I.i.11), is delivered right before Macbeth comments, “so foul and fair a day I have not seen”(I.iii.38). When words repeat themselves (post.script. the word “selfsame” is used a bagillion times as well), I get into my little obsessive dictionary mode. Fair: free from dishonesty-ample-promising-favorable. Foul: offensive to the senses (how shall the witches appear? thunder, lightning, rain–that which is sensible)-filthy-unfairly-vilely. That which is promising and favorable–Macbeth’s kingship–is about to be sought by vile, dishonest means. Two things strike me about Macbeth that makes this prophecy–deriving from evil sources–work upon his mind in such a way.

Numero uno: His disposition to chance and fortune. We learn a little about his character in the second scene. “For brave Macbeth (well he deserves the name),/Disdaining Fortune…”(I.ii.16-17). Perhaps it is minor, but here we see–through the account of another–that there is a characteristic in Macbeth that draws him to rise above fortune. This is contradicted (all I can see in this play are contradictions) in his own later statement, “If Chance will have me King, why,/Chance may crown me” (I.iii.144). Which is later contradicted by…

Still_-_Macbeth_(46)

Numero dose: Macbeth’s lovely wife.

From unnatural news derives the desire for the unnatural. Lady Macbeth, upon learning the prophecy of the old witches, desires that nature itself be overrode for the ambitious desires. I mean, her whole speech about killing a child that she’s nursing is one of the most disgustingly -foul- things I’ve read in a Shakespeare play thus far.

So, disruption of nature, prophecy, truth from evil sources, ambition…what brilliant themes we have at the outset!

Until tomorrow.