“I have done the deed” (II.ii.14). Woo, intense is the act that ends with a body count of three.
Macbeth’s monologue in the first act interests me, insofar as it deals with trusting in the sense of sight. “or art thou but/A dagger of the mid, a false creation”(II.i.38-39) and then, “Mine eyes are made the fools o’ th’ other senses,/Or else worth all the rest” I see thee still”(II.i.44-45). Which contrasts with the next scene, “Didst thou not hear the noise?”(II.ii.14). And Macbeth hears two prayers, a blessing from God on his deed and a mere, “Amen.” Amen, the word means “it is so” or it is a simple “yes.” Smells like the deed is done…
Musings on the trustworthiness of the senses. I find in tragedies, I don’t know what or who to trust. And that may be the point.
Now, for the last scene, Rosse’s conversation with the old man–addressed as “Father,” so I am assuming he’s a priest, because I like to assume things–regarding the internal nature of man’s actions correlating with the outer nature of the heavens. I made a point of this in The Tempest, that storms in Shakespeare plays have a tendency to be symbolic of workings of the character’s soul or the state of souls in the commonweal. (I may not have actually said this, but I think I meant to if I didn’t.) If the heavens are representing an individual, who? Macbeth? Duncan? Banquo? Lady Macbeth? Or is it representing what is about to happen to the entire foundation of the Scottish Monarchy? Take your pick, send me a message.