I generally don’t think plays with the word “Comedy” in their title begin with impending death, but here Shakespeare proves me wrong again. Also, I’ve never been more confused while reading a Dramatis Personae.
Most of the act is story-telling, giving us the background of poor Egeon and the fate of his wife and sons. He states, “…the my end/Was wrought by nature, not by vile offence” (I.i.33-34), which I think may be a setting up of the main theme of the play–fate versus our actions.
Side note: he was saved by fishermen of Corinth. Which smells a little familiar to me…
Antipholus of Syracuse–I can’t find a definition of Antipholus or Pholus or…anything, though I came across the word Centaur among some astrology pages. I do enjoy his plan to lose himself for the sake of his mission, self-giving for the sake of something other. Which, since we’re already getting to see a little confusion with the twin brothers, I won’t be surprised if there is quite a bit of losing oneself.