Sorry to make the hiatus so long! I was going to try and cram the rest of the play in the weekend, but found I was to busy to do so, so I figured I’d start on Wednesday and finish out the week like normal.
Ahh, guilt. How wonderfully Shakespeare illustrates the nature that guilt weighs upon our conscious in times of grave sin. Macbeth is now dragging himself into a mire–to relieve feeling guilty, he hires the murder of Banquo, in order to stop the witches prophecy (uhh, wait, the same prophecy that spurred him into killing the king? That sounds a little discordant…), but he fails at the escape of Fleance. He wants to relieve his guilt of spilling blood by spilling more blood, which seems to be the nature of sin–to correct sin with more sin. “Blood will have blood” (III.iv.121).
A quick note about the prophecy–Hecate belittles the sisters in telling Macbeth and Banquo the future–but it seems if they had not intruded and let this “fate” be known, it would not have happened. The supernatural enters the world, allows men to know the future, but it’s only a future that exists because of that supernatural intrusion. If that sounds confusing, I think it’s because I’m a little confused about the role of the supernatural in this play (other than it is a bane on the lives of everyone here, yet it sometimes reveals the true nature of things, such as Banquo’s ghost revealing Macbeth’s guilt).
One last thing: Macbeth hires two murderers. Where the heck does this third come from? He says “Macbeth,” but we haven’t seen that interaction. What is Shakespeare showing us in not showing us the hire of this third murderer? He’s also the one who points out the error of striking out the light and allowing Fleance to escape. Maybe I’m making a mountain out of a mole-hill, but murderer number three, I’ve got my eye on you…
“I have done the deed” (II.ii.14). Woo, intense is the act that ends with a body count of three.
Macbeth’s monologue in the first act interests me, insofar as it deals with trusting in the sense of sight. “or art thou but/A dagger of the mid, a false creation”(II.i.38-39) and then, “Mine eyes are made the fools o’ th’ other senses,/Or else worth all the rest” I see thee still”(II.i.44-45). Which contrasts with the next scene, “Didst thou not hear the noise?”(II.ii.14). And Macbeth hears two prayers, a blessing from God on his deed and a mere, “Amen.” Amen, the word means “it is so” or it is a simple “yes.” Smells like the deed is done…
Musings on the trustworthiness of the senses. I find in tragedies, I don’t know what or who to trust. And that may be the point.
Now, for the last scene, Rosse’s conversation with the old man–addressed as “Father,” so I am assuming he’s a priest, because I like to assume things–regarding the internal nature of man’s actions correlating with the outer nature of the heavens. I made a point of this in The Tempest, that storms in Shakespeare plays have a tendency to be symbolic of workings of the character’s soul or the state of souls in the commonweal. (I may not have actually said this, but I think I meant to if I didn’t.) If the heavens are representing an individual, who? Macbeth? Duncan? Banquo? Lady Macbeth? Or is it representing what is about to happen to the entire foundation of the Scottish Monarchy? Take your pick, send me a message.