Richard III–Act III

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Act III–Body count: 6 and Richard is to be crowned.

Woof.

I want to address a few things (in the form I love most, lists!) briefly.

  1. The opening scene with Prince Edward. He’s brilliant, that’s a given, but he speaks of two things, primarily. Julius Caesar and the distinction of how wit and fame lead to immortality. Just to throw it out there–he’s famous for the ‘Princes in the Tower’ story and the play itself is named after an infamous king. Perhaps a little relevant?
  2. Religious looks vs. Actions. (the inner heart vs. outward actions is almost the key theme in this play, but this is the easiest pin-point example I can find in a brief time-frame…also, most of the language regarding actions are religious in this play–some food for thought) Look at Hastings. What does he say when he’s about to face death? His reconciliation. Yet, you never hear him stating “By Saint Paul” or “Mother of our Lord.” That comes from two men–ol’ Dick and Buckingham.
  3. Scene VI: Just the Scrivener! Now, I love a good scrivener, who doesn’t? His last words sound alike in pitch to the scene in the previous act with the┬ácitizens–“Bad is the world, and all will come to naught/When such ill-dealing must be seen in thought.” (III.vi.13-14)–What, do you suppose, does it mean to see in thought? (I’m thinking the entire action of this play may be the answer)
  4. Notice there are no women in this act.
  5. Everyone who’s about to die reference good ol’ Margaret

Until tomorrow, folks.

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