Sorry about that brief hiatus yesterday.
Scenes in which gods come out of the sky will probably always strike me as a “what…the…” moment. In Cymbaline, I was just like, “What do I do with this.” But at least in Cymbaline, it was some kind of representation of fate, or something–no, Isis, Juno, Ceres, the big three ladies of mythology–but here, they are under the control of Prospero. Perhaps all things are under the power of fortune? If we are to go by this airy, head-in-the-clouds thinking, that Prospero is a physical manifestation of fortune, than what does it mean when fortune acts so forgiving and kindly to his enemies? That doesn’t sound like the fortune I know…
Or, does it?
Tangent aside, there’s more things to say about Prospero’s actions and words than I have the time or ability to say or even think. While reading the last two acts, I’ve been trying to think of a clear way of articulating what his character operates as in the story, because he is the driving principle of every action within it. But I haven’t thought of a way of clearly putting him into a mold of driving characters.
I just want to end on a final note about the epilogue. It’s spoken by Prospero as a petition to the audience to allow him to be free. Ariel servant to Prospero, having done all he wanted, he was allowed his freedom. Now, here we have the driving design behind the whole play making the same petition to the audience. I would say this is because he has been under our power, his power goes only as far as our suspension of disbelief will allow, and now the play is over, and it is time to leave this crazy island and return.