Antony & Cleopatra–Act III

Sometimes life throws you punches and you have to sleep for a week to reconfigure your life.

3-2x5a4225-kim-cattrall-cleopatra-antony-and-cleopatra-photo-by-georgia-oetker

Enobarbus. He’s calling all of Antony’s bluffs and faults, mainly, “that would make his will/Lord of his reason” (III.xiii.3-4). The whole theme of the play, kids. Make your will or pleasures the master of your reason, you’ll make a few political mistakes, war against Caesar by sea (which obviously isn’t your strong suit) and flee the minute your buttercup leaves the fight. I’m a little obsessed with Enobarbus (despite the fact that it takes me a few tries to type his name correctly), because he’s incredibly aware of everything. And awareness is sexy.

I’ve been thinking about this line of his, “I see men’s judgments are/A parcel of their fortunes, and things outward/Do draw the inward quality after them/To suffer all alike” (III.xiii.31-34). And I actually have to think about it more before I can say anything about it. It’s too cool for school, and right now my thoughts are a-jumble with “negative capability” and “outward manifestations of internal truths” and I can’t put them together quite yet.

REPUTATIONS: RICHARD BURTON, TAYLOR MADE FOR STARDOM

That said, I have a feeling certain loves are not reciprocated by other loves. And the in-continuity of Antony no longer being himself with Cleopatra, and Cleopatra’s identification that she is only herself with Antony…things are going to get a little interesting on the “who is who in relation to who” front here soon. Love, that which makes us not ourselves…but this one doesn’t seem to…fit. 

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